The spring bulbs are blooming here on Vancouver Island.... thankfully! It's been a hard, cold winter by Island standards. It's so heart-warming to see the crocuses, daffodils and lots of other bulbs breaking into blossoms.
When I lived in Vancouver, VanDusen Botanical Garden was my go-to garden. I love the colour combination of blue, green and yellow in this image.
I love playing with layers and textures in Photoshop and I ended up with 8 layers of textures for these white crocuses. The image looks old and cracked like an old painting.
Shooting from above a flower isn't always a good idea. The soil is the background... not
flattering for pictures. With a flower that looks up to heaven, like these crocuses, it works with the texture layers.
At VanDusen's, the daffodils and crocuses bloom at the same time as the cherry blossoms. For this photo, I got down low, right on the ground and pointed my camera up at the daffodils. That way, I caught the cherry blossoms and other flowering bushes in the background. I, blurred the background using a wide open aperture. Need help with
If you aren't using Manual yet, try using the 'semi-auto' digital camera modes. To create background blur, you want to use Aperture Priority.
Getting down to the level of the flower is another option. A lot of spring bulbs are quite small so you may feel a bit silly but don't worry. That's how I photographed these daffodils.
Unfortunately, the grass was really wet and my jeans soaked up the dampness. A small price to pay for several nice photos.
Anyways, who doesn't love to roll around on the soft spring grass? Don't worry about people thinking you're a bit weird. It's all about getting a great photo of those spring bulbs!
you ever noticed how plants follow the sunlight during the day... they
swivel so they always get a good view of the sun. If you're a gardener,
you've seen your flowers move over the course of a day. Sunflowers are great examples.
The behaviour is called heliotropism. Houseplants grow towards the light and its a good idea to keep
turning them so they grow evenly. Know where the sun is at certain times of the day in your garden and you can plan the time you want to take your photos to get the background you want.
If you know when your flowers are going to be staring at
sun... or, if you want to catch them
from the side. Like this shot of white daffodils. I focused on the centre flower and used a large aperture (f 4.0) to blur all the other flowers.
I love the digital darkroom. Just as much as I loved the darkroom with chemical baths and negatives. Yep,
a die-hard… held on to slide film and chemicals for eons
before I opened my heart to the digital revolution. I keep a foot in both worlds!
Want to give your pictures a little extra zip? Learn some basic photo editing. Bet you can't stop with basic....
...that's right, you know you want to push those pixels to the edge. So...
Download a free or bargain-priced model and play.. Crop, boost the saturation, change the white balance. And just play!
If you shoot RAW (instead of JPG), you're going to do at least some tweaking in your photo editing program. RAW is the equivalent of a negative and a RAW file always needs a little something. Personally, I don't usually stop at just a little tweaking!
This photo has several layers of a glow and a few layers of lightening the edges - then a frame effect to finish it off. I started in Adobe Bridge, then into Camera Raw and Photoshop.
Looking through a macro lens is intriguing. Macro and close up are not quite the same thing. You can get some amazing close-up shots with a good quality lens but a close up isn't a true macro image.
With such a shallow depth of field (DOF), the only sharp parts of this photo are the edge of the frill, the pistil and filaments. They're all on the same narrow"slice" in space and I focused on the edge of the frilly cup. I had to move just a bit to include the pistil into sharp focus.
you look through the viewfinder or at your screen, take your time and
check all the details like focus, background (any trash), close enough
or far enough away. You can do all that successfully if you have your
camera in a fixed position on a tripod. If you use a macro lens, you need a tripod.
Pick up some spring flowers when you go to the grocery store. Or stop by the local flower shop.
This tiny daffodil was part of a spring bouquet... dainty little blooms. I set aside an afternoon to photograph them in my apartment balcony.
I used a Nikon macro 105 mm. lens, one flower at a time with a textile background. It's a very shallow DOF... the frilly cup, anther and filaments are in focus. You wouldn't believe how small this flower was!
This is a RAW file, edited in Photoshop. The edges are lightened but other than basic adjustments, there's not much else done to this image. The three colours... yellow, turquoise blue and green are bright and look great together. They're all about the same vibrancy and saturation.
Textures are so much fun. When I'm out with my camera, I always find some surfaces or scenes that would make topnotch textures or backgrounds for my images. Maybe an interesting sky, the side of a rusty building, the bark on a tree. Use your imagination.
You'll need a photo editor that uses layers. Photoshop is my editor of choice but you can find other photo editors that don't have such a steep learning curve. OnOne software is free if you want the programs that came before Photo Suite 9. Older doesn't mean inferior! They're incredible so check out the freebies.
These spring bulbs are grape hyacinths. I gave them 2 texture layers... the 1st layer is a linen fabric and the 2nd is an aged piece of paper.
It looks like the photo is printed on an old piece of linen with tattered edges.
The linen was blue so it changed the brilliant coloured greens. And the paper was brown so the combination makes the image look very old.
This image, with the various layer additions, was edited in Photoshop.
A hint when you're working with your original files. You don't want to alter your originals. Don't make the mistake of working on one, then saving it. If you do that, and you close the file, it's gone.
Make sure you always work on a copy or use the "save as". There's nothing quite as sickening as when you realize you hit "save" and lost your original file.. forever. Easiest answer... always open and work on a copy.
I lived in Surrey, BC for a year, between overseas jobs. Green Timbers Urban Forest was close by. I spent a lot of time running or taking photographs there. It's temperate rainforest, a unique environment.
All the spring bulbs bloomed at the entrance to the forest. All kinds of flowers... everyone had cameras with them. My favourite time was early morning. I enjoyed the sounds of nature before other people arrived. Deafening frog calls from the pond... "ribbit". All sorts of rambunctious bird songs, though the birds were usually invisible in the thick tree tops.
What's more spring than red tulips? Maybe yellow daffodils, of course.
This vivid garden of spring bulbs is at Queen Elizabeth Park beside the Bloedel Conservatory. The contrast of the red and yellow leaps out from the green background.
Red and yellow are hot, high energy colours... but the green is cool and relaxing.
Tulips have a whole page of their own. You'll find them here.
Vignetting is really a term that applied to lenses and it wasn't desirable. Certain lenses, or lenses at a certain focal length, would leave an unattractive dark circular area in the corners of the photo.
Now, vignetting has become a popular artistic touch and it's applied to either darken or lighten up the edges of the photo. It highlights the central subject.
What better subject to highlight with spring bulbs than a bee? First time I ever saw these huge bees with red-orange butts, I had to get them on camera. Some of them were so heavy in orange pollen, they looked like they were entirely orange! They're called Orange-belted Bumble Bees.
The bees are in terrible trouble, dying off in huge numbers, mostly because of chemical sprays... neonics and others. Without the bees and other pollinators, we're in big trouble and we have an obligation to do whatever it takes to save them.
After a cold, dull winter, spring bulbs bring back the cheer to life. They don't have long with us each spring so get that camera out, SLR, point and shoot or your cell phone camera (check out iPhoneography here). When spring arrives, make sure you always have your camera with you.
Review some basic photography, like composition (golden ratio, rule of thirds, leading lines) and exposure (shutter speed, the histogram, aperture). And take your tripod and camera manual along with you.
If you use Auto Mode, venture out a little and experiment with your digital camera modes to get more creative control over your photos.
Enjoy your spring days in the garden.